Saturday, 26 October 2013

What Not to do at a Job Interview


Below is a short story from the world of my first novella Crash. It’s a post apocalyptic series, although this story is set before the world fell apart. It's a job interview with one of the main characters of the book. I hope you enjoy it. 
What Not to do at a Job Interview



Dean sat at the round table in silence, his mouth dry. On the other side, the interviewer studied his notes. Circular placemats were randomly scattered over the highly polished surface. Lifting his glass of water from one of the mats, Dean took a sip of the chilled liquid and placed it down again. The cold gulp soothed his throat but landed hard in his anxious stomach. Staring at the orbs of condensation rolling down its side, he focused on his breathing to calm his nausea and only looked up when the interviewer spoke.
“Mr Brown?”
Dean laughed. “Mr Brown was my father; please call me Dean.”
The man stared for a second, his moon face blank. Looking back down at his sheet, he cleared his throat.
The muscles in Dean’s back tightened and his shoulders lifted to his neck. Sweat left his armpits and rolled down the sides of his ribcage. Who does this cunt think he is?
“So you’ve been unemployed for the last eight years?”
A hot flush burned Dean’s face. Pulling at his collar did little for his tight throat. Staring at the man, Dean ground his jaw and nodded. “Yes.”
“Do you mind if I ask why?”
The reaction jumped from his mouth. “Because I can’t get a job, can I?” Jesus, pal. It’s not fucking rocket science.
The door to the office was behind the interviewer, and Dean stared through its porthole window. There were several women in the adjoining office taking turns glancing in at him.
When he looked back, the man’s eyes and mouth were spread in wide Os.
Letting the tension fall from his shoulders, Dean raised his hand. “I’m sorry.” Coughing cleared the wobble that threatened to ride his words. “It’s just… I’ve been through this process so many times.” He looked down and picked a flake of wood away from the desk. The top may have been polished, but the edges looked like they’d taken a battering. “I want a job, which is why I’ve come to so many interviews. But it’s a bit of a kick in the teeth always being told no. It’s not like I’m trying to become the fucking prime minister or anything.”
The man flinched when Dean swore.
“I know I didn’t finish school, so my CV looks like shit, but if no one will give me the chance, how can I prove myself? Besides, they’re only crappy jobs.”
“You think this is a crappy job?”
“It’s Biffa. Not NASA.” Dropping his right hand beneath the desk so the man couldn’t see it, Dean clenched his fist so tightly his arm shook. The fury put a shimmer in his voice. “I mean, it’s only picking up bin bags.”
Straightening in his seat, the interviewer stared at the part of his desk that had been ever so slightly vandalised and pushed his round glasses up his button nose. “This job is actually quite hard, Mr Brown. Physically demanding. Early mornings, etc.”
“You saying I ain’t got the strength to lift bin bags?”
Showing Dean his palms, the man said, “Firstly, you need to calm down.”
A heavy frown crushed Dean’s view.
“Also, I’m not saying that at all. I’m sure you have the strength, Dean, but can you get up in the mornings? Can you handle having a boss tell you what to do?”
“I can,” Dean’s lip lifted in a snarl, “as long as the cunt don’t mug me off.”
Glancing at the round clock on the wall, the man sighed and said, “Right, we’re going to run through some scenarios. Is that okay?”
The tension fell from his back and Dean stared down as he ran his finger in circles on the desk. “Fire away, chief.”
The man straightened his papers. “Okay, it’s three in the afternoon, and your shift is due to finish. However, it’s been a long day and you still have another hour’s worth of work to do. Do you, A—”
“I’ll stop you there, pal.”
The interviewer paused.
“I’ll do whatever extra hours you need me to do. As long as it’s on the overtime sheet, that is. I’m not one of those people that work for nothing. If you have too much work and not enough staff, that’s your problem. But keep filling my bank account, and I’ll work like the fucking Energizer Bunny.” Dean’s throaty laugh bounced around the room.
The man kept his eyes lowered. “It’s the night before your day off, and you get a phone call asking you to work. What do you do?”
“It depends what I have planned for my day off. If I can change it, I’ll do that and come into work.” Laughing again, he added, “As long as it ain’t winter. Who wants to get out of bed in February?”
Putting the paper down, the man closed his folder. “Thank you, Mr Brown. We’ll be in touch.”
Dean’s jaw fell. “That was a joke, man.”
“That’s fine. We’re done with the interview though.”
“But there are more questions there.”
“Um…” the man paused. “There are, but we don’t always ask them all.”
“Why don’t you just tell me now that I haven’t got the fucking job? I’m a big boy—I can handle it.”
“To tell you the result of the interview now would be unprofessional and against company policy.”
The deep breath did nothing to still Dean’s rampaging pulse. “Unprofessional my arse. You just haven’t got the stones for it, pal. Telling a man to his face that he doesn’t have the job ain’t unprofessional; that’s the excuse of a coward.”
The man stood up. His round belly pushing against the buttons on his shirt. “Thank you, Mr Brown. We’ll be in touch.”
Remaining in his seat, Dean stared up at the man. One well-timed jab on the chin would knock the cunt sparko. “I’m not going anywhere until you tell me straight. Have I got the job or not?”
The man lifted the phone on the table. It was an old rotary phone—maybe he thought he was retro. Sticking his finger into the hole for the number nine, he spun the dial. “I’m going to call the police unless you leave now, Mr Brown. I will not be held to ransom in my own office.”
Standing up so quickly his chair scooted out behind him and fell over with a loud crash, Dean stared at the man. After a few seconds, he left the room and slammed the door on his way out.

The revolving doors ushered him into the warm, stale room. The hot choking smell of old photocopiers caught in his throat. Walking over to Martha’s desk, Dean sat down.
The pad of Post-its she was scribbling a note on were small suns. They were yellow, circular and had happy faces printed on them. Smiling, Martha asked, “So, how did it go?”
Dean looked around. “This room stinks of piss and desperation. I ain’t like these mugs in here, you know.”
“What do you mean?”
“Take a look around you. The carpet’s filthy, the job boards are emptier than a Tory’s heart, and half of the people in here look like they’d struggle to spell their own fucking name. This is a place for alcoholics and losers.”
“And the unemployed,” Martha reminded him.
Turning away, Dean caught the eye of a man at the desk next to him.
Clenching his fists, Dean tilted his head to the side. “What the fuck are you looking at, pal?”
After holding his glare for a second, the man then looked away.
Too fucking right!
“This place is full of arseholes.” Dean sipped his lukewarm coffee and screwed his face up at the muddy taste. Lifting the round Styrofoam cup, he said, “When are you going to stop serving this instant shit?”
“This isn’t a coffee shop, Dean. Anyway, the man said you swore at him in the interview. He said you were openly hostile.”
“Like fuck! We were having a bit of banter. A joke about overtime. Okay, maybe I did swear, but the rest of it was all good fun. Until he asked me to leave.”
“Do you even want a job, Dean?”
“Of course I want a fucking job! When those Conservative arseholes get into power, I won’t have a pot to piss in. Why do you think I’m going to so many fucking interviews? But if no one will give me a fucking chance…”
“You’ve got to stop swearing for a start.”
“Don’t fucking tell me what to do!”
Martha’s jolly face turned stony. Pointing a wrinkled finger at him, she said, “I’ve been doing this job for thirty years, son. I think I’m qualified to tell you what to do. You need to stop swearing in interviews, and you need to tone the aggression down. Otherwise, you’re never going to get a job.”
Returning the gesture, Dean pointed his finger back at Martha. “You’re sending me to a bunch of shitty job interviews and telling me to jump through hoops. I’m doing that, but I’m still getting told to fuck off. Do you realise how fucking demoralising it is for me to be rejected so many fucking times? To repeat the process knowing I’ll just get turned away again. I know what’s on the horizon—we all do. It’s a political party that want to force us out to work by fucking us up the arse. I ain’t afraid of work, but what do we do when we can’t get a fucking job because no one will employ us? It’s a vicious circle. Give me a job, and I’ll fucking do it. I’ll go every day.” After a heavy exhalation, he said, “I’m fed up of being mugged off by clueless twats who think they know how to run a fucking country.”
Sighing, Martha said, “Dean, you’re the only person that can get yourself a job, but you have to work on your interview technique.”
“I’m trying, Martha. But where do I start? There’s no fucking funding and every job has over a thousand applicants. I’m climbing a greasy fucking pole here.”
Spinning the wedding ring on her finger, Martha then flicked through her Rolodex and removed an index card. “Here. The council are looking for litter pickers in the town. They have an open day tomorrow.”
Looking at the card wobbling at the end of Martha’s outstretched arm, her bangles hanging down, Dean snatched it away. “Here we fucking go again. See you next fucking week for some more shitty coffee and another fucking lecture.”
Exiting via the revolving door, Dean crossed the street without looking and was ushered across by a cacophony of horns. Flipping the bird in the general direction of the noise, he entered the local pub.
Frank, the bartender, lifted his head. “The usual, Dean?”

Sitting on the round stool, Dean nodded. “The usual,” he said as he slid the coins across the bar.

Sunday, 6 October 2013

Results for Kindle Nation Daily Ad

So having recently spent $99 on a Kindle Daily Deal ad on Kindle Nation Daily, I thought I'd report back my results from it.

I must say that my book only had five reviews on Amazon.com when I placed the ad, and three of them were two stars, so I'm sure if it was reviewed better then it would have sold more.

The picture below is from Amazon.com - The spike in sales is due to the ad. I was averaging 3 sales a week on the .com site, and because of the ad, that went up to 34. The profit on $0.99 is about $0.35 per book.

The next picture is for Amazon.co.uk (where my reviews are much stronger) - I sold less on the UK site the week the ad was out than I had the previous week - 88 sales as opposed to 113. Having been in the top 10 for post-apocalyptic on the UK site, I was getting good sales anyway. Is it fair to assume it had no impact? I'm not sure, but it certainly didn't seem to.
I appreciate that many factors impact the sales of a book and I'm sure my reviews on the .com site didn't help. However, all I can do is present the information as I've experienced it.

Monday, 23 September 2013

601 Sales - How Will A Kindle Nation Daily Ad Affect My Sales?

I saw 500 sales as a big milestone and should have written this post then. But now I'm at 601, so I thought I'd report how the sales have been going.

I have an advert with Kindle Nation Daily due out at the end of this week (27th September). I've opted for the Kindle Daily Deal at $99. My sales are pretty poor in the US so I'm hoping this advert will give a boost to them. To break even at my current sale price, I need about 250 sales.

Visibility

It seems to me that visibility is the most important thing with Amazon. I talk about Amazon because I've had three sales on Kobo and none anywhere else.

From release, Crash has been in the top 50 for post apocalyptic Kindle books. This seemed to help the book tick along nicely and was generating sales of one or two copies a day. Halfway through August I dropped my price to $0.99 and £0.99. You can see the impact below on my sales figures and visibility. I've been in the top 10 post apocalyptic kindle charts and the top 50 for horror overall for about a month now. This extra visibility has coincided with a huge leap in figures. Although I have to sell lots more copies to make the same money, that's currently happening. So my book is being seen by more people and I'm making more money. I don't plan on keeping my price this low forever, but while the sales are good, I'll leave it as it is.

This screenshot was taken this morning (this is relatively low for my average):

My highest rank for each category has been 6 for post apocalyptic, 23 for kindle horror and 30 for horror overall. This is on the UK site. 

I also wanted to report a detailed breakdown of my sales figures because I've not done that yet - August was when I dropped my price. I decided to drop my price while I already had some chart visibility. I could see Crash slipping out of the charts and I hoped it would give sales a boost.

June

I released my book towards the end of June.
UK site - 16 copies sold.
US site - 13 copies sold.

July

UK site - 35 copies sold.
US site - 28 copies sold. 

August 

UK site - 154 copies sold.
US site - 24 copies sold. 

September (so far)

UK site - 314 copies sold
US site - 14 copies sold

Reviews

I've never had the chart visibility in the US and my average reviews aren't enough to get me much attention. I assume this is why my sales on Amazon.com aren't great. 

Next Blog Post

In my next blog post I want to show the figures after a Kindle Nation Daily ad to see if it was worth the $99. 

Thursday, 12 September 2013

Nearly Three Months as a Self-Published Author - Sales Figures Included

So it's coming up to three months now as a self published author and I thought I'd continue to track my progress.




I've made a few changes in the past few weeks that have massively affected my sales figures.

Categories

After watching my book get into the top thirty on the Post Apocalyptic and Dystopian charts on Amazon, I realised that the categories were so close I should probably change one of them. I figured that I'd be catching a lot of the same audience with those categories, so I changed Dystopian, because I was scoring slightly lower in this one, and moved it over to horror.

Price


I also noticed that my sales had started to plateau. I decided that I want my first book read, and while I'm not prepared to drop it to free, I dropped it to $0.99. This made a huge difference. My sales figures took off. I've made more money than before over the past few weeks and my book is reaching a lot more people. In the past two weeks, I've sold over 100 copies each week.

I've obsessively watched my book climb into the top ten and it's into its third week and it's still there. My peak was chart position no.6. I'm currently at no.9 on Post Apocalyptic (Amazon UK).



Negative Reviews


This is predominantly UK sales. I've had a few negative reviews on Amazon.com that have almost ground my sales to a halt. I've written a very violent book so I'm not surprised that it's polarised opinion. Despite the negative reviews, I have been contacted by readers to say they enjoyed the book and can't wait for more.

I also did something I thought I'd never do this week. I responded to negative criticism. I've had several negative reviews and most of them have been the reviewers opinion. For me, it's fine if someone doesn't like the book. Everyone sees the world through their own lens and enjoyment of a work is entirely subjective. However, I received this review from one person:-

As I understand it, there should be a plot and a theme to a novel. This book had none and was also lacking in depth, meaning or reason. I get the impression that the author just wanted to get feedback (any feedback) to try and get his book spoken about...if that was the reason for it, then well done! If it was to write something worthwhile, then I feel this failed totally. Not an enjoyable read.

To which I responded:-

Thanks for reading my book and leaving your thoughts. I don't normally reply to reviews because everyone sees the world through their own lens and enjoyment is a subjective thing. It's not my place to tell people they are wrong or to defend my ego. 

However, on this review you have asked if there is a point to this book so I wanted to take the time to explain why I've written it. 

This book is about the social construction that is money and how insubstantial it is. The only value it has is what we attribute to it as a society and it could easily become worthless. 

It's a look at how the poorest in UK society are being punished and blamed by the contemporary media for the state of things at present. Labels like 'Good hardworking families' are banded about as if those who can't be measured by their financial contribution are worthless. It takes this venom and turns it around on those they perceive to be the ones laying blame. Although the main looter, Dean, is a psychopath using a cause to vent his violent tendencies - Much like some of the EDL members have been doing of late and other hate groups. 

It's also a look at how class identity isn't a reflection of those within the class, more a group identity that is based on judgments and prejudices - from both sides. It doesn't reflect the individual, yet sweeping generalisations are made. Those being punished - Like Michael - don't deserve it, but we live in a polarised society where these judgments are made. 

Finally, the level of violence is a look at developing countries, such as The Democratic Republic of Congo, and the atrocities happening there on a daily basis (while I accept this book is very dark, I couldn't go as far as what's actually happening in places like the DRC). It's a look at how low humans can go when there is a motivation to control and dominate - as many wars have demonstrated. (See the UK and US bombing of Dresden as an example). In The DRC's case it's for minerals. In Crash's case, it's for food. 

Again, I can't speak to whether you enjoyed the book or not but I'm thankful that you read it and took the time to review it. You asked the question, so I wanted to give you the answer.

Thanks again

Michael

Should I have responded? I don't know. It's not something I plan to make a habit of. 


Sales Figures so Far - Since June 20th:-


Amazon - 446 copies sold. 
Kobo - 3 copies sold.
Smashwords - 0 copies sold.

I'm pleased with my figures for less than three months. The negative reviews sting but I'm developing a thick skin pretty quickly. Again, I expected it with this book. My next one is much less violent, so it'll be interesting to see if it generates the same reaction.

Wednesday, 21 August 2013

My Second Month as a Self-published Author - Sales Figures Included


It’s been two months since I released my first novella, Crash, as an ebook. Here is my experience so far. 

Obsessed!
So I’m still checking my sales figures more frequently than is healthy. I wonder if that will ever change. 

Reviews
I’ve only had one one-star review still but I have had three two-star reviews on Amazon.com My most recent two-star review came a week or so back and that’s really affected my sales on Amazon.com. Fortunately my novella is doing much better on the other side of the pond. I currently have thirteen reviews and ten of them are five-star. As a result, my book is selling much better in the UK. 

Amazon Top One Hundred Charts
Since its release, Crash has consistently been in the top one hundred post-apocalyptic novels. It has fallen out on a couple of occasions but it hit an all time high at number twenty today. 



Sales
I was happy with my sales for about the first six weeks and then they started to slip. It’s hard to know why, but the most recent negative review seems to have had an impact in the US. So what I decided to do was drop the price to $.99 to see if it affected sales. Yesterday I sold twelve copies in one day. Most of those were in the UK. The sale price is until the beginning of September, although if it goes really well I may extend that. I’m not aiming to make money on my first book, I just want to get it in the hands of readers and remain visible on Amazon. When my second and third books in the series come out, I intend to make this book permanently free. 

Figures
While I like Kobo’s ethos and a great review came from a Kobo reader, I have only had three sales on Kobo in six weeks. I’ve had one hundred and fifty-three sales on Amazon. I’ve had nothing on Smashwords and they were a pain to get the formatting correct for. 

Overall
So since the first month I’ve hit the milestones of one hundred and one hundred and fifty copies sold. I’ve experimented with price and seen a marked difference when I drop it. I’ve had Amazon’s dominance confirmed to me, and I’ve developed a thicker skin while learning how I can become a better writer. I’m pleased with my sales so far, although I’ve been warned that books fall off a cliff at some point. 

Thursday, 25 July 2013

My First Month as a Self-Published Author (Sales Figures Included).


I published my debut novella CRASH on the 20th June 2013. I have high hopes for a career in self-publishing based on what I’ve seen to be a successful publishing model. It seems that the main advice for being successful is to - 1) Write good books. 2) Keep writing. 3) Don’t spend too much time promoting your first book because you don’t have any more work to sell. 
I’ll be honest, I’m still at the point where I check my sales figures obsessively. I’ve opted to put my first book on all platforms because I’m yet to have anything to lead readers onto. I see giving my book away at the moment as a waste of time, but I do wonder if I’m missing out on the Kindle lending library downloads. (Does anyone have any experience of this?) Once I have the second book in the series, I will put my book on hold with everyone but Amazon and register it in KDP select. I will then start using one book to generate sales for the other. 

First Month Sales Figures

So here are my sales figures as of today - Amazon = 76 copies. Smashwords = A few sample downloads and one addition to a library. Kobo = 1 copy (which was today).
It would seem that not only was Amazon the easiest place to upload my book to (I still haven’t got in the Smashword’s premium catalogue - Grr!), but they are responsible for all but one of my sales. Today is the first day - so far - that I haven’t sold a copy on Amazon (although I do keep checking). 
I’m happy with the figures. It’s more than I expected with just one book uploaded. It’s paid for the cover and some of the edit and I realise that sales will be something that will come down the road when I have more books to sell. My second novella is with an editor at present and the third one isn’t far behind. 

Reviews

I’ve had generally positive reviews and I’m trying to get more by giving a few copies away to review sites and readers who are willing to review. 
My first negative review hit me quite hard, but now the book has been out there for over a month, I already feel much more thick-skinned about it. If a negative review is helpful then I will take everything I can from it. If it isn’t, then it’s personal taste and there’s nothing I can do about that. I’ve had plenty of positive reviews and feel happy with how my book has been received. 

Overall Experience of Self-Publishing

I’ve already had highs and lows in my first month but I’ve stayed focused on the plan - Get a series out in the world and then make people aware of it. I feel much braver about the whole process now I’ve made the first move and I’ve earned more money this month than in my entire writing career. 
Onwards and upwards. 

Thursday, 4 July 2013

Crash - A Sample (Chapter One)

This is a sample chapter (chapter one) of my debut novella - CRASH - I hope you like it.


And Finally, It Begins…

No matter how old Michael got, when he cried in Chris’ arms, he became that red-faced screaming baby in the delivery ward again, and Chris’ instinct to protect him burned as brightly as it ever had.
Shivering by the slightly ajar window, the heating having been cut off months before, the eight-year-old boy looked at his father. He wore a mask of grief that twisted his dirty face. “Why, Dad?” He mewled. “Why did they do it? Why did they leave us?”
After running a hand through his thick and, at forty-two, prematurely white hair, Chris pulled his son closer, not only to comfort Michael but also himself. “I don’t know why your mum chose to leave with your sister. Things are quite a mess at the moment, and maybe she was worried that they wouldn’t get any better.”
Big innocent blue eyes stared up at Chris, searching for the truth as the boy asked, “But things will get better, won’t they? They have to.”
Chris swallowed and looked around the room. They were in the guest bedroom. They’d chosen it because it was small and therefore easier to keep warm. With no gas and electricity, they had to resort to smothering themselves with as much bedding and blankets as they could find. They had so many dirty sheets on the floor that it was impossible to see the blue carpet beneath. The thick red velvet curtains were permanently drawn to combat the chill emanating from the windows, but they blocked out most of the light, making the gloomy room a breeding ground for depression. The entire wardrobe of each family member sat in the corner in one huge pile like a compost heap. When Chris drew a deep breath that reeked of mildew, he told his son what he believed to be a lie. “Yes, Michael, they will.”
“What if they don’t?”
Chris knew that Michael could see straight through him. He’d have given every drop of blood and his final breath to give his son a guarantee that things would get better. But he couldn’t. They currently existed in a world without precedent. Life was now a desperate struggle. Looking at the small, dirty boy in his arms, he had to swallow the lump rising in his throat and blink away his tears. “All I can really promise you…” he coughed to clear his throat, “…is that I will do my best to look after you. I will do everything in my power to…” Before he could finish, a loud crash exploded outside.
In the past, Chris would have rushed to the window if he’d heard such a disturbance. Now he was much more cautious because ‘get off my land’ didn’t quite cut it anymore. He pulled the curtain back slightly and peered out.
The cold breeze hit him, and he flinched. Although it was winter, they left the window slightly ajar to try and let the smell of four dirty bodies out of their living space. As a result, there was more ice on the inside of the glass than the outside.
Their home was one of six large and detached red brick houses in a gated community. The houses horseshoed around a road that was wide enough to u-turn a bus in. Even looking at it now, with the overturned bins and abandoned toys, Chris could still see Michael and Matilda playing outside with their friends. The gates were made of iron, painted black, and did an effective job of keeping people out when everyone was living under the previous, if tenuously balanced, capitalist society. Back then, a gate meant keep out and was effective at enforcing its will. Things were different now. All that was left of the old social structures were memories. New rules were being established, and to survive you had to evolve. Failure to do so invariably resulted in death. With this in mind, Chris’ plan to hide away like a scared fox in a hole didn’t seem like such a good idea. Especially now the hounds had arrived.
“What is it?” Michael asked as he stood on tiptoes to peer through a gap in the heavy curtain.
A black and battered Ford F-150 had rolled through the gates. In spite of the superficial damage, it still looked relatively new. Chris assumed the huge truck must have been taken from the forecourt no more than six months ago because the angry and pockmarked paintwork showed no signs of rust. It didn’t have licence plates, so he couldn’t be one hundred percent sure of its age, but he felt like it was a good hunch. He wondered for a moment where in London one would get such a car until he remembered the American car importer a few miles south. He assumed the driver was local.
A huge battering ram protruded from the front that looked like a steel pillar of about six feet long by four feet in diameter. It gave the truck a fierce nose that looked like it had been utilised many times. Its effectiveness was clear to see because the black gate that had once provided the family with such a strong sense of security had been cast aside like it was made out of cardboard. It now lay useless and mangled like a barely identifiable body part of someone who’d stepped on a landmine.
There were seven men in the back of the truck. They were filthy and bulked up with layers of clothes to combat the January chill. The youngest, Chris guessed, was in his mid-twenties, the oldest no older than fifty.
Chris looked at their weapons and saw steel bars with spikes, baseball bats wrapped in razor wire, long knives and swords, and even a tennis racket that looked like the edges had been sharpened to be as keen as the deadliest blade. Each weapon, without exception, looked like they could end a life with great efficiency. From looking at the fierce men with their deep frowns and blood-splattered clothes, Chris had no doubt that they already had.
He finally replied to his son in hushed tones, the fear of these men discovering them clinging to him like frostbite. “They look like looters.”
After weaving into the middle of the cul-de-sac, the truck finally came to a halt, and the men on the back vaulted off, weapons raised and ready for action. While grinding his jaw, a habit Chris was only ever aware of when a headache kicked in, he said, “We need to be very careful around these men. They’re dangerous. Very fucking dangerous.”
The childish innocence in Michael’s wide blue eyes showed how he was more shocked by his dad swearing than the fact that looters were outside their house. He then said, “What do we do, Dad?”
After a pause, Chris said, “We wait, son.”
The cab door opened and out stepped a slim man with black hair and a red face. He looked like he was in his mid to late thirties. His angry skin appeared to writhe like his body was a prison of rage—a prison where the ratio of guards to inmates was stretched so thin that chaos could erupt at any moment. The blue suit he wore had crusty patches of what Chris could only assume was dried blood. It was as stiff as wood. In his hand was a sawn-off shotgun. It was clear to see that he was the leader. Chris could only see dark shadows where his eyes should be, and the man reminded Chris of a shark.
One of the men from the back of the truck, a short and lithe, red-haired weasel of a man who had the razor sharp tennis racket, called to the leader, “Dean, which house first?”
It seemed that even this question annoyed the tetchy man, who, without saying a word, pointed the barrel of his gun at number one in the close.
Chris only remembered that Michael was watching too when he said, “That’s Tommy’s house.”
Gathering his son in his arms, Chris told his next lie. “Don’t worry, Michael, Tommy will be okay.” What else could he tell him?
The roar of another diesel engine hailed the arrival of a second Ford F-150. This one was blue and had a cage on the back that was full to bursting with enough food to feed a small army, which is exactly what they were. It was mostly packets of dried food and tins, but there was a live pig tied up and stacked like all of the other objects in the congested cage. It looked exhausted, and even if it wasn’t bound as tightly as it was, Chris thought that it would have still been as inactive. It stared ahead with its tongue lolling from its mouth like it was dying of thirst.
When the truck stopped, two more men emerged. One was a slight, dark-skinned man in a trench coat that looked like he should be on the early train to the city rather than with this collection of thieves and murderers. The driver was a huge black man who was at least six feet and four inches and was dressed in blue jeans, thick boots and a heavy sheepskin jacket. He was built like a heavyweight boxer and dressed like he was delivering a skip. He walked around the truck, his breath visible in the cold January air, and shook the cage at random points.
The leader, who seemed to respect this man more than the last one he’d spoken to, asked, “Everything okay, George?”
Chris thought he saw disdain in the hulking man’s eyes when he looked over, but it was hard to tell from this distance. He didn’t seem to share the other’s excitement for what they were about to do. His large face had soft features that suggested he had a compassion that was contrary to the hive mind.
“Everything’s fine,” he called back. “I just wanted to check that nothing’s worked its way free on the journey.” His kind eyes gazed at the pig while he stroked it, and his mouth moved as he spoke to the animal. Chris couldn’t hear what he was saying. Raising his voice, he then said, “We hit a few potholes on the way in. You know what these fucking roads are like now.” He then pulled his coat tight against himself and shivered.
Michael looked up and whispered, “They have a lot of food.”
Chris nodded. “They do, son.”
“Do you think they’ll leave us some if they come into our house?”
He put his hand on Michael’s little head and said, “I hope so.”
Wishing he’d made his son come away from the window before the third truck pulled in, Chris nearly vomited from what he saw.
Staring at a blue truck, identical to the second, Michael’s innocent face fell slack. Pulling his blonde fringe from his eyes as if un-obscuring his view would show him a different reality to the one unfolding outside, he said, “What’s that truck for, Dad?”
Like the second truck, this one also had a cage welded to the back. The cage was about the same size as the other one, but instead of being loaded with food, it was full to bursting with women. They were pressed against the bars like battery hens, and they shuffled in the cramped space like veal in crates. Deciding it was time to be more honest with his son because their survival would likely hinge on his cooperation, Chris said, “It’s for keeping women.”
“Their women?”
Finding the scene outside too upsetting, Chris looked at his son and brushed his fine hair from his wide eyes. “I don’t think so; I think they’ve stolen them and taken them as slaves. It would appear that they’re looting for women and girls as well as food.”
Although Michael only said, “Oh,” his little face looked like he was trying to comprehend the fact. “Why would they steal women?”
“Because they’re bad men.”
Sounding hopeful, Michael said, “Do you think Mum and Matilda are in there? Maybe we could steal them back?”
Another truth that Chris had chosen to withhold from his son was the whereabouts of his mother and sister, but now wasn’t the time to reveal it. Looking out of the window again, pretending to scan the dirty and broken faces in the cage on the back of the third truck, Chris said, “I can’t see them.”
“Hmmm,” Michael said thoughtfully, and then added, “Do you think they’ll leave my chocolate? I’ve been careful to make that lasts as long as possible. I’ve sucked just one square every night.”
Blinking the tears from his eyes, Chris pulled his son’s ration-emaciated body tightly to him. Like everything else in the house, Michael smelt of mould. Chris shivered as he said, “Maybe.” Clearing his throat quietly, he repeated, “Maybe. What we need to accept is that they will take whatever they want, and there are too many of them for us to argue.”
Michael said another, “Hmmm.”
Chris scanned the room again. With no television, no electricity, no gas and no physical energy because of their poor diet, the life they’d chosen beneath the bedclothes had seemed to be the most sensible option at the time. Chris didn’t see what moving would achieve, especially as the open road stank of human waste because of overflowing sewers. The life he’d chosen for them had seemed sustainable. Or rather, it had until now.
Looking again at the truck with the women, Michael said, “What do you think they do with the little boys? Will they take Tommy prisoner? Will they take me prisoner?”
Looking at the leader and his blood-encrusted suit, Chris swallowed back the bilious burn rising in his throat and tried to speak, but his face buckled out of control.
Michael, who was staring at what was happening outside with his jaw hanging limp, didn’t notice.
Drawing a thick and stuttered breath, Chris said. “I don’t think they will. I don’t think they make little boys prisoners.”
“Thank God,” Michael said with relief.
Looking away again, Chris blinked as a solitary tear ran down his cheek. He felt like a fool for not seeing this coming from a mile off because the signs had been there months before. He thought about the conversation he’d had with his boss just over a year ago.